Ireland at St Barnabas

While it is well known that Ireland was the organist at two Chelsea churches, Holy Trinity and St Luke’s, it is less common knowledge that for a short time in 1897 he took over from Vaughan Williams as organist of St Barnabas, South Lambeth. Ireland recalled that Vaughan Williams’s duties at the church were ‘prodigious’, and in addition to the normal work of a church organist and choirmaster, he ran a choral society and an orchestral society in connection with this church. Indeed, Ireland’s first duties on taking over were to prepare performances of two big choral works: Mendelssohn’s Lauda Sion and Stanford’s Revenge (‘Tributes to Vaughan Williams’, The Musical Times, October 1958, p.536). Vaughan Williams returned to the post after six months, leaving the church in 1899.

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Ireland at the pantomime

During his time at St Luke’s, Chelsea, Ireland would attend the annual dinner for adult members of the choir, as well as the summer seaside outing for the choirboys, always to either Sussex or Essex. He also, though less regularly, accompanied his young choristers to the pantomime. One such occasion took place on 6 February 1909, when the performance in question was Dick Whittington at the Drury Lane Theatre, a show that had already been highly successful in the previous year.

Ireland was there along with several members of the clergy, including his good friend Paul Walde. The boys were very taken with the scenery, which included a lavish set depicting Highgate Hill, with London seen in the distance (St Luke’s parish magazine, 1909, p.97).

Dick was played by vaudeville star, Queenie Leighton. The highlight for the choristers of St Luke’s, however, was a fleeting appearance in a comic song by Manchester-born Wilkie Bard, a famous music hall entertainer.

 

 

 

 

 

 

 

 

 

 

‘Inglewood’ in 1879

InglewoodAbove is a map showing Bowdon in 1879, as the local landscape looked in the year when John Ireland was born. From the map, his family home ‘Inglewood’ can be seen to be a fine mansion house surrounded by other similar properties and backing on to fields. It was built for Alexander Ireland in 1869, on land bought by him from the Dunham Massey estate. Morris & Co.’s Directory & Gazetteer of Cheshire confirms who the neighbours were in 1874. Haigh Lawn was owned by George Hodgkinson. The Johnsons had the other neighbouring house, Silverlands. Bowdon Lodge was the home of John Finnie Esquire, a Scottish merchant who died in 1875. Most of the wealthy owners in this part of Cheshire were businessmen.

The house next to Inglewood, Haigh Lawn, has a fascinating history. Also built in 1869, it was loaned as a hospital during the First World War, as discussed in this interesting article on Bowdon’s heritage. Bowdon Lodge was eventually transformed into Altrincham Grammar School for Girls. When the Irelands left their Bowdon house, it was bought by John Hopkinson, another of Manchester’s successful businessmen. On the death of Hopkinson’s wife in 1910, the house was sold to John Gill, a retired manufacturing chemist.

This area has strong musical and literary associations in addition to those of Ireland and his parents. In 1900, a little after the Ireland family left Bowdon, conductor Hans Richter settled down the road at 27, The Firs. The eminent violinist Adolf Brodsky was also a resident, living in East Little Grey RabbitDowns Road for over 25 years. Arthur Ransome lived very close to the Irelands in the 1870s, in Devisdale House. In the 1920s Alison Uttley wrote the Little Grey Rabbit books while living in Downs House.

 

 

 

Sources:

http://maps.nls.uk/

http://www.johncassidy.org.uk/hopkinson.html

 

 

Ireland’s books: Over the Garden Wall

On Ireland’s bookshelves was a 1933 first edition of Eleanor Farjeon’s Over the Garden Wall, a collection of poems for children. The remarkable Farjeon (1881–1965) (seen left) was an almost exact contemporary of the composer. He may well have known her personally through contacts with her brother Harry, another composer and friend of Ireland and Bax. Like Ireland, Farjeon was passionate about the Sussex countryside, as manifest in many of her works, notably Martin Pippin in the Apple Orchard (1921) and Martin Pippin in the Daisy Field (1937). She was a marvellous wordsmith, whose enchanting and evocative little stories such as ‘Westwoods’ and ‘The Connemara Donkey’ linger long in the memory.

Rutland Boughton, Britten, and Elizabeth Maconchy all turned to Farjeon’s poems. Ireland set ‘Boys’ names’, ‘The boy’ (retitled ‘Looking on’) and ‘Autumn crocus’ as unison songs for voices and piano, all of these poems taken from Over the Garden Wall.

NB Food for thought. Farjeon was sometimes nicknamed ‘Merry Andrew’, which is the title of one of Ireland’s piano miniatures. Might there be connections here too?

In Flaybrick Hill Cemetery

Flaybrick Hill Cemetery – now a memorial garden – was established in 1864 as the new municipal cemetery for Birkenhead, sitting in an elevated position above Liverpool and the River Mersey. In this tranquil site sits the grave of Anne Elcock Higgins. This was John Ireland’s Great Aunt Anne. Originally a Nicholson, she married Charles Hayes Higgins and the family relocated from Bristol and Taunton to the Wirral. The middle name ‘Elcock’ seen on the grave comes from the wealthy Barbadian side of the family. Anne Nicholson’s mother was Lucy Reynold Elcock, daughter of Grant Elcock and Elizabeth Reynoldia Alleyne.

It’s quite possible that Ireland knew this great aunt, who died only in 1892. Birkenhead is no distance from Southport, where the composer’s family lived briefly, and also not at all far from Bowdon, the main home of Ireland and his parents Alexander and Annie.

Holbrooke performing Ireland

Joseph Holbrooke had a career as composer and conductor, but was also an accomplished pianist. In the latter capacity, on 9 December 1918 he appeared in Liverpool’s Crane Hall, in a substantial programme of contemporary English music. Among the pieces heard were Ireland’s new piano pieces, ‘Chelsea Reach’ and ‘Ragamuffin’. Holbrooke also played works by Cyril Scott, and later accompanied Astra Desmond (1893–1973) in a selection of English songs, including ‘Sea Fever’.